Sunday, February 8, 2015

Recovered archive of Riffbrokers' 2002 Tour Diary

                                      2002 US TOUR DIARY

SAT. 8/17    We head east into the rising sun toward Montana skies. Everyone at Jay's Upstairs in Missoula is intoxicated to near death.  Cool metal band from Utah to watch out for is Compound Fraxxure.

SUN. 8/18   We head further east. As far as Buffalo, WY , where we stop at a rest area and drink whiskey and beer and pass out.

MON. 8/19  On to Mt. Rushmore. The bigger spectacle is wild fires throughout the Black Hills.  S. Dakota repeats itself for several hours until we reach the first rest area inside Minnesota where we drink to sleep again.

TUE. 8/20  Minneapolis is found beyond  pastoral tableaus of farmhouse, silo, church steeples, and rolling plains.  This place is clean. So is Lee's Liquor Bar- remarkably so. The walls and floors shine from the labors of the tipplers who reside in the apartments above the bar. They appear from the woodwork at closing time pushing brooms, putting up chairs, wiping walls and tables.  They are paid the next day at drinking time. We are told the only way out of the upstairs apartments is in a county cororner bag. 
We would like to thank 'Cookie' for putting us up for the night and buying us a round of White Castle burgers.

WED. 8/21  Cookie is on the phone this morning with a representative of a credit card company. Cookie assures him that there is no minimum payment required of him yet as he scrapes resin from a pipe.  If indeed there were a payment due it would have been mailed in by now.  Cookie can't be sure for there are so many offers that appear in his mailbox daily. Cookie asks the representative where he's calling from.  "Florida?  Wow, why are there so many great guitar players from Florida? You ever listen to Molly Hatchet?...No? ...well, all right thanks for calling-goodbye now."
Today we drive through Wisconsin and attend a White Sox game in Chicago. You must be careful where you turn near Comiskey Park.  Olde Style is a tasty beer.Sox beat Twins 10-2.

THU. 8/22   We try to get some sleep at a rest stop in Indiana early this Thursday morning while being devoured by bugs and feeling like hot licked postage stamps in the humidity that gets worse by the time we get to Cincinatti. This 200 year old city  proudly offers heat, blight, and racial tension. We missed a riot by a few days. We would like to thank the staff of Sudsy Malone's for their generosity. Rich the sound guy even gave us his cut for gas money. Thanks again.

FRI. 8/23   Eastward through the land where coal miners, steel workers, and Amish fight for space at the early morning gas station scene. Pennsylvania is a long passageway to New Jersey where drivers on the Garden State Parkway were courteous and accomodating to our lane changing needs.  They have a friendly local hand signal that seems to say, "Welcome to the Garden State, weary traveler."  This night we played at the Brighton in Long Branch which is just blocks from the mighty Atlantic Ocean. We're told this is the ocean that brought Americans to America.

SAT. 8/24  North into the night we drive to New Hampshire where Dustin's parents live. Live free or die they say up there although I doubt there's much choice about the latter.  Dustin decides to attend a wedding in Maine while we're there. It turns out that his brother Aaron  is the groom. Later that evening we trek back to Cambridge MA where they film that Car Talk show on NPR. We find the Kendall Cafe and have our best show of the tour there.  Big thanks to Norm and Ruth !

SUN. 8/25  Back in the 18th Century a group of Puritans bored of burning witches decided to build a tourist trap in southern Massachusetts and named the hamlet Sturbridge.  "Let's wow future travelers with our simple buildings and creepy graveyard!" they proclaimed. "Let us put the carriage repair shoppe on the far edge of towne where the stranded must parade past our souvenir merchants!"  After crawling along the Mass Pike for an hour our van decides to sputter out and break down here.  We get a room at the Sturbridge Host and get drunk.

MON. 8/26  We walk around Surbridge. The van is ready at about 4pm. We have about 28 hours to get to St. Louis.  The van tries to be funny again in Milford PA, but we're wise to a loose disributor cable.  Driving, driving, driving, driving.

TUE. 8/27  Seeing 'Vacation' too many times we avoid even going near East St. Louis and take a crazy back way into St. Louis from the north off 70.  It eventually leads us to downtown, not before I cut some guy off at a wierd traffic circle when I turned right across his lane. Dustin said the reason he never honked was because he was too busy shitting himself.  We find the Way Out club and get another motel room. This neighborhood looks like no good. Later that night our wing window is broken out while the van is parked behind the club. The bad guys stole nothing from us but hit the other band's van and won a free boom box. The Way Out is a way cool club though and we'd like to thank Bob and Sherri for being so  nice.

WED. 8/28  Wichita, KS seems harmless enough from the freeway yet to no one's surprise the club is in the sketchy part of town. It seems fitting also that the van decides to act up again and show us that a rear tire is split and about to blow.  We decide to play the show at Kirby's and then get towed after loading it back up.  Were told leaving it overnight at this neighborhood's service garage would be a bad idea.  Enter Mike and Lucy- a husband and wife team, local hepcats/ guardian angels who put us and the van up at their pad.  Kirby's Beer Store is way cool too and many thanks to Steve there and Softie.

EPILOGUE

After Wichita our van decided to cancel the rest of our tour by breaking down just long enough to miss the next show. Twice.  We regret not making Ft. Collins, CO or the Neurolux show in Boise. At least our gas costs and repair bills far exceeded any money we made.


Tuesday, December 2, 2014

Riffbrokers Anxious To Record New Album

The Riffbrokers were recently in the studio getting ready to record their next album. Heather Millward looked intently at her bass head as Chris Cline, lead guitarist, was busy arranging various effects pedals.

"I'm ready to take my guitar playing to the next level, stylistically. And that level would be to get that sound captured onto some sort of audio file."
"We're still feeling a few things out, trying to find stuff..." interjected Nick Millward, frontman and songwriter, "- like where to plug things in. There are a lot of things going on in this studio, and once we figure out how it works, we'll be off and running."

Ryan Maxwell, the combo's drummer, was tuning his rack toms,
"Chris mentioned the next level- I'd like to get some levels on my drums. I imagine there should be several mic's arranged in some way around my kit, and then I think I say to someone, 'Okay, let's get some levels!'"

Nick: "The new songs reflect a lot of internal and external struggles within the band, as well as our relationships outside the band. Right now we're struggling to find something that says "Record Button".
Heather: "Check, check, check. Check one, two. Sibilance."
Nick: "Heather's a real pro. She just exudes confidence, and it's contagious."

The Riffbrokers' sense of fun in their catchy yet '
too-tedious-to-pigeonhole' sound is also contagious. The new record that eventually gets recorded is sure to be a smash.

Friday, December 13, 2013

Unsmashable presents new split 7" for Christmas!

Available now at Bop Street Records and Sonic Boom online or in Ballard!

Wednesday, August 22, 2012

Tuesday, May 22, 2012

Wednesday, February 22, 2012

Friday, February 3, 2012

East Portland Blog reprint- Tommy Keene show 1/28

Tommy Keene – The Parson Red Heads – The Riffbrokers – Jan. 28 – The Sunset, Seattle, By Steve Stav

By admin, on February 3rd, 2012




Tommy Keene - Sunset Tavern, Seattle 1/28/2012. Photo by Steve Stav. All rights reserved.
Seattle maintains an open marriage with roots music, and has been noted for its dalliances with grunge and hip-hop. However, the Jet City has held pop music — jangle-pop, folky pop, avant-garde pop, power-pop — dear to its heart for quite some time. It’s a reliable mistress.

Seatown seemed a fitting stop, then, for eternal guitar wunderkind Tommy Keene on a week-long jaunt up the coast coast. On a Saturday night at the city’s most pop-revering establishment, and sandwiched between two top-notch acts, one of the country’s most under-exposed great talents delivered a speaker-rattlling tutorial on how a pop-rock show should sound and feel like.



The Riffbrokers, Sunset Tavern, Seattle 1/28/2012. Photo by Steve Stav. All rights reserved.
Hailing from the Crenshaw/Costello/Lowe school, lyric craftsman Nick Millward and his band, The Riffbrokers, were a logical pick among the dozen or more bands that could have suitably kicked off the evening’s festivities at the Sunset Tavern.

Acknowledging the presence of greatness, The Americana-accented Riffbrokers brought their “A++” game, interspersing some of their best material among offerings from their new EP, The Green Key Will Let You In. Longtime friend and Seattle music veteran Chris Cline had been recently added on second guitar, and a perfectly seasoned sense of melody and “place” was evident in his playing. A nice addition to a perenially promising, yet underdog outfit whose salad days are still ahead.



The Parson Red Heads - Sunset Tavern, Seattle 1/28/2012. Photo by Steve Stav. All rights reserved.
It takes big stones to follow an icon on a bill; Portland’s Parson Red Heads proved within a matter of minutes that they possess enormous talent, as well. Still touring on the strength of their Mitch Easter-engineered, Chris Stamey-produced 2011 album, Yearling, this quartet defies easy comparisons like a leadoff hitter battling a junkball pitcher. With an emphasis on harmonies and impressive, but never-flashy fretwork, the group echoes turn-of-the-70s folk-pop while remaining entirely genuine — and providing room for rocking beyond the genre.

And it was so effortless, the Red Heads’ set on this night. They’ve had years of practice, but the songs — well-crafted, compelling stuff — nonetheless spilled off the stage as if the band was sitting around a campfire. Frontman Evan Way has the sort of voice that really sticks with you, and the Red Heads exude the sort of warmth that’s impossible to not get sucked into. Altogether a great performance by a band that’s been places, but is headed for loftier elevations.

In between such memorable performances, Tommy Keene lit the place on fire. Arriving in a cab shortly before showtime, battling a nasty flu, the 40-year music veteran played as if he were at a command performance in a concert hall.

A concert hall with some minor technical difficulties, that is. After a few buzzes, squeals and adjustments early on, the sound pumping off the stage got better and impossibly better as Keene’s set progressed.



Tommy Keene - Sunset Tavern, Seattle 1/28/2012. Photo by Steve Stav. All rights reserved.
And progress he did, through a less-than-an-hour blaze of glory that presented staples such as “Turning On Blue,” “Back To Zero” and the calling card, “Places That Are Gone” to a crowd peppered with equal numbers of curiosity seekers, admirers and diehard fans.

“Diehard fans” might be an insufficient term for those in Tommy Keene’s cult of followers. A fellow staked out his place at the lip of the stage well in advance, his Baltimore Orioles cap representing shared roots in Maryland — where Keene was a top draw on the greater D.C. circuit before landing a major label deal in the early 1980s. Between songs, a woman in the crowd proclaimed her adoration, adding that she’d seen Keene open for the Style Council in ’84; it was rumored that a contingent of fans had flown cross-country for the occasion.

Backed by longtime Keene bassist Brad Quinn, along with Rob Brill (who was drumming in Berlin about the time Keene was opening for the Style Council), one of rock’s most under-appreciated storytelling guitarists concentrated on new material from the fabulous Behind The Parade album.

Second guitarist Jon Brill assisted Keene in transforming “Nowhere Drag‘s” tumultuous coda into a full-blown maelstrom (wow, what a song, it should be his new calling card); the twin-guitar attack continued with the aforementioned “Places” and upped the ante during an old Keene standby, a ferocious cover of Lou Reed’s “Kill Your Sons.” As the number — and his set — drew to a close, the singer hopped off the stage and riffed among the fans as far as his amplifier’s tether would allow.

The notion of “it doesn’t get much better than this,” was doubtlessly floating through a number of noggins as the lights went up and the crowd began to sort itself out. Within minutes, as cigarettes were lit in the chilly air out on the sidewalk, the other commonly held thought, “Why isn’t Tommy Keene a major star?” began to be ritually discussed.

It was a very good question.

– Steve Stav

Saturday, January 28, 2012

Riffbrokers release new EP!



The Riffbrokers' new EP is a thought-provoking dessert served less than a year after the Seattle band's critically praised 2011 full-course, Every Pilot's Blinded By The Sun, hit the shelves.

Produced by the group's longtime comrade Johnny Sangster, Green Key marks the entry of former Evangeline and Low Land High guitarist Chris Cline into the Riffbrokers camp. Cline's distinctive, melodic guitar stylings punctuate frontman Nick Millward's gritty vocals throughout the EP's tracks, while Barb Hunter (Cobirds Unite, Visqueen) places her haunting cello in the center of "Cowboy Film."

Yes, haunting. Green Key proves to be a spell-casting departure, a contemplative diversion from the Americana-based power-pop the Riffbrokers are better known for. However, the band re-embraces their signature — in spades — with the EP's blistering and appropriately titled finale, "Reentry."

Tuesday, January 10, 2012

Riffbrokers to open for Tommy Keene Jan.28



The Riffbrokers are opening for Tommy Keene, LA powerpop icon at the Sunset Tavern in Ballard Sat. Jan. 28, '12.

show details, click here


Sunday, September 25, 2011

Two Great Upcoming shows




High Dive 513 N 36TH IN FREMONT, SEATTLE
SKYLARK 3803 DELRIDGE WY SW , WEST SEATTLE

Monday, September 5, 2011

UR 8th Anniversary Show


Come see a host of UR bands celebrate 8 years of going nowhere fast, and Nick's 40th B-day. Hearts Are Thugs arise from the ashes of The Small Change. Also special Portland guests Have You Seen Julian?

Wednesday, July 20, 2011

Cool Beans!


Espresso stand on I-5 near Stanwood, WA

Monday, July 11, 2011

Glad Girls, South Sound Bureau Chiefs Sat. July 16 @ Comet Tavern


http://www.facebook.com/nmillward3#!/event.php?eid=110248019071025

Monday, June 13, 2011

Absolute Powerpop review of Riffbrokers EPBBTS

The Riffbrokers-Every Pilot's Blinded by the Sun. Seattle's Riffbrokers are back with their fifth full-length, and it's more of the same no-nonsense power pop/classic rock that they have become masters at. Their sound is equal parts Tom Petty and The Replacements with a dash of Exile-era Stones thrown in, and the rocking "Better Angels" is the definitive proof of this amalgam. Nick Millward has just the right voice for this style of rock, and his bandmates provide a killer rhythm section. No bad tracks here, but more equal than others are the rocker "Mindset", the soulful "Calling All The Charlatans" and the catchy album closer "Thank You". No, thank you, Riffbrokers, for keeping the rock flame burning. http://absolutepowerpop.blogspot.com/